By Joan Troccoli, Brian Dippie, Christopher Mulvey
AND THERESE HEYMAN
The year was 1830, and the American West was entering a phase of rapid transformation.
Passage of the Indian Removal Act commenced the 12-ycar migration of American Indians from
lands east of the Mississippi River. Meanwhile, settlers and traders in the Great Plains brought
sweeping changes to those Native American cultures.
Originally trained as an attorney, Catlin vowed to paint American Indians, native lifeways, and
western landscapes of the diminishing frontier. When he returned from his travels, Catlin toured his
Indian Gallery—a collection of more than 500 paintings and Indian artifacts—in England, France
and Belgium, where he assumed the roles of entrepreneur, performer, anthropologist and author. At
the beginning of a new century, as we reconsider our American identity and its expression through
artistic, cultural, and scientific study, Catlin’s work remains relevant and provocative.
Explore Catlin’s life and art with our catalogue, George Catlin and his Indian Gallery. In
addition to four essays and hundreds of photos, the book includes an introduction by Rick West,
director of the National Museum of the American Indian, and a preface by SAAM’s director,